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尺寸:高25.1 cm
年代:9世纪
质地:黄铜嵌银
风格:克什米尔
来源:拍卖会
成交:170,500美元(2008.09)
参阅:外部链接
鉴赏:
A silver inlaid brass figure of Padmapani
Kashmir, 9th century
Standing over a lotus base upon a stepped plinth with his right hand raised clutching a rosary and his left holding a tall stem of a sixteen petalled lotus issuing from the base, wearing a long dhoti secured with a sash at his waist and a billowing shawl draped around his shoulders, further adorned with bracelets, a necklace, the sacred cord and large floral earrings, his silver inlaid eyes and arched eyebrows centered by a silver urna, surmounted by an elaborate foliate tiara and backed by a flaming arched mandorla
此像站立于莲座及叠涩式台基之上,右手上举,执持一串念珠;左手持一朵自底座生出的十六瓣莲花的高茎。身着长裙(dhoti),腰系圣带(sash),双肩披搭翻卷飘动的披帛。佩戴手镯、项链、圣线及大型花形耳珰。双目嵌银,弯眉之下,眉间白毫(urna)亦以银嵌。头顶饰以精致的花叶宝冠,身后为火焰纹拱形背光(mandorla)。
来源:
Mr. and Mrs. Paul E. Manheim Collection, before 1974
著录:
E. Olson, Tantric Buddhist Art, 1974, cat. no. 1
U. von Schroeder, Indo-Tibetan Bronzes, 1981, fig. 19B, p. 124
展览:
New York, China House Gallery, Tantric Buddhist Art, 1974, cat. no. 1
整体所呈现的克制、优雅、精炼的造型与和谐的比例,正是克什米尔成为重要佛教艺术中心之早期的典型特征。此时期的作品通常以黄铜合金铸造,并嵌银为眼。