佛像网

尺寸: 22.5 x 10.2 x 10.8厘米
年代: 七世纪中期 三国时代
质地: 青铜鎏金
风格: 朝鲜
来源: 纽约大都会博物馆
参阅: 外部链接
鉴赏:
半跏思惟菩萨像是广泛流行于整个亚洲的常见佛教造像。在朝鲜，尤其是百济和新罗王国，这种风格的造像在六至七世纪成为重要的佛教符号。这尊(弥勒)菩萨坐像是其中一尊保存最完好，也最引人注目的。它身上散发出一种微妙却可感知的能量，透过柔软逼真的手指和脚趾等细节清楚地表现出来。这尊菩萨的发髻呈现出奇妙的线状纹路。他的冠帽顶饰上有球与新月的图案，表明其受到了中亚风格的影响。

来源:
Muneichi Nitta 新田棟一 （彭楷棟） , Tokyo, Japan (by 1987–2003; sale, Christie's, New York, Japanese and Korean Art, March 24, 2003, lot 308, as “Seated Maitreya,” to MMA

展览:
New York. The Metropolitan Museum of Art. “Hidden Jewels from the Mary Griggs Burke Collection,” July 3, 2004–January 9, 2005.
New York. The Metropolitan Museum of Art. “Arts of Korea,” January 14, 2005–October 29, 2006.
New York. The Metropolitan Museum of Art. “Birds and Flowers,” November 1, 2006–April 29, 2007.
……

著录:
Jin tong fo zao xiang te zhan tu lu (The crucible of compassion and wisdom: special exhibition catalog of the Buddhist bronzes from the Nitta Group Collection at the National Palace Museum) 金銅佛造像特展圖錄 / [編輯者國立故宫博物院編輯委員會]. Exh. cat. Chu ban ed., Taipei: National Palace Museum, 1987, pp. 225, 424–25, pl. 126.
Christie's, New York. Japanese and Korean Art. March 24, 2003, lot 308.
Kang Woo-bang. “Sublime: The Amazing Discovery of a Gilt-bronze Meditating Bodhisattva from Korea.” Christie's Magazine, 20 (March/ April 2003) pp. 30–33.
“Recent Acquisitions, A Selection: 2002–2003.” The Metropolitan Museum of Art Bulletin 61, no. 2 (Fall 2003) p. 64.
The Metropolitan Museum of Art, ed. The Metropolitan Museum of Art Guide. New York: The Metropolitan Museum of Art, 2012, p. 109.
Hearn, Maxwell K. “Asian Art at the Metropolitan Museum.” The Metropolitan Museum of Art Bulletin 73, no. 1 (summer 2015) p. 44, fig. 64.
Lee, Soyoung. “Collecting Korea at the Met.” Orientations 46, no. 2 (March 2015) pp. 170–78, fig. 5.
Behrendt, Kurt. How to Read Buddhist Art. New York: The Metropolitan Museum of Art, 2019, pp. 95–97, figs. 70, 71.