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--- 释迦牟尼佛:99085 [2026/05/16 12:58]
127.0.0.1 外部编辑
+++ 释迦牟尼佛:99085 [2026/06/02 08:52] (当前版本)
artemis
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+=====4-5世纪十六国时期青铜鎏金释迦牟尼佛像(纽约大都会博物馆)=====
+{{tag> 主题:释迦牟尼佛 材质:金铜 尺寸:10-20cm 年代:4世纪 年代:5世纪 年代:十六国 风格:中原 来源:纽约大都会博物馆 释迦牟尼佛:禅定像}}
+~~PAGEIMAGE:<:释迦牟尼佛:dp-15581-062.jpg>~~
+**尺寸：16.5 cm x 7 x 3.5 cm\\
+年代：十六国时期(4世纪晚期-5世纪初期)\\
+质地：青铜鎏金 piece-mold cast\\
+风格：中原\\
+来源：纽约大都会博物馆\\
+参阅：[[https://www.metmuseum.org/art/collection/search/61820|外部链接]]\\
+鉴赏：**\\
+{{ :释迦牟尼佛:dp-15581-062.jpg?direct&600 |}}
+{{ :释迦牟尼佛:085-2.jpg?direct&600 |}}
+{{ :释迦牟尼佛:085-3.jpg?direct&600 |}}
+{{ :释迦牟尼佛:085-4.jpg?direct&600 |}}
+{{ :释迦牟尼佛:085-5.jpg?direct&600 |}}
+{{ :释迦牟尼佛:085-6.jpg?direct&600 |}}
+{{ :释迦牟尼佛:085-7.jpg?direct&600 |}}
+这是中国最早的金铜佛像之一!
+十六國時代 鎏金青銅釋迦牟尼佛坐像
+Representations of the Buddha wearing a thick shawl over both shoulders and sitting atop a throne with lions on either side are Chinese adaptations of images derived from the northwest region of the Indian subcontinent, particularly from areas in present-day Pakistan (known as Gandhara in the ancient world). Scientific examination of this sculpture has shown that it was cast using several ceramic molds, a technique that was also used to create the ancient bronze ritual vessels on view in this gallery. By the fifth century, the lost-wax method, which may have been introduced with Buddhism, was used more often for the casting of Chinese sculptures.
+来源:\\
+Frederick M. Mayer , New York (until 1974; to Christie, Manson & Woods); Mayer sale, Christie's, Manson & Woods Ltd. , June 24–5, lot 141; to Eskenazi; [ Eskenazi Ltd. , London, 1974; sold to MMA]
+展览:\\
+New York. China House. "Small Sculpture: Shang through Song Dynasties," February 19, 1954–April 17, 1954.
+Newark Museum. "Art in Buddhism," January 28, 1958–April 17, 1958.
+Seoul. National Museum of Korea. "Masterpieces of Early Buddhist Sculpture," September 24, 2015–November 15, 2015.
+著录:\\
+A. D. Brankston. "Yüeh Ware of the 'Nine Rocks' Kiln." The Burlington Magazine for Connoisseurs 73, no. 429 (December 1938). pp. 257–62, cat. no. 73, pl. 2C.
+Art in Buddhism. Exh. cat. Newark: Newark Museum, 1958, cat. no. 12.
+Roberts, Laurance. Treasures from the Metropolitan Museum of Art. Exh. cat. New York: China Institute in America, 1979, p. 26, cat. no. 16.
+Marylin M. Rhie. Early Buddhist Art of China and Central Asia: The Eastern Chin and Sixteen Kingdoms Period in China and Tumshuk, Kucha and Karashahr in Central China. Handbook of Oriental Studies, China (Handbuch der Orientalistik. Vierte Abteilung, China). Leiden: Brill, 2002, vol. 2, pp. 448–451, pls. IX, 276a–e.
+Behrendt, Kurt. How to Read Buddhist Art. New York: The Metropolitan Museum of Art, 2019, pp. 40–41, fig. 21.
+馆藏号: 1974.268.8a–c

佛像网, 编号: 释迦牟尼佛:99085

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