这里会显示出您选择的修订版和当前版本之间的差别。
|
观音菩萨:10112 [2026/05/16 14:25] 127.0.0.1 外部编辑 |
观音菩萨:10112 [2026/06/02 08:56] (当前版本) artemis |
||
|---|---|---|---|
| 行 1: | 行 1: | ||
| + | =====8世纪唐代青铜鎏金净瓶观音立像(纽约大都会博物馆)===== | ||
| + | {{tag> 主题: | ||
| + | ~~PAGEIMAGE:<: | ||
| + | **尺寸:27.3 x 10.5 x 6.4 cm\\ | ||
| + | 年代:8世纪\\ | ||
| + | 质地:青铜鎏金 失蜡铸造\\ | ||
| + | 风格:中原\\ | ||
| + | 来源:纽约大都会博物馆\\ | ||
| + | 参阅:[[https:// | ||
| + | 鉴赏:**\\ | ||
| + | {{ : | ||
| + | {{ : | ||
| + | {{ : | ||
| + | {{ : | ||
| + | 观音菩萨头戴三叶花冠,侧冠缯带垂下,束发高髻,顶饰一化佛,为阿弥陀佛,是观音菩萨重要的身份标识。菩萨面庞丰腴,五官清晰,眼微闭,直鼻小口。菩萨胸前佩饰璎珞,袒上身,下着长裙,衣纹自然垂下,飘逸流畅。右手托净瓶,左手下垂拈帔帛,身躯向一侧倾斜,以三折枝式跣足立于台座之上。体态婀娜,造型优美,展现了观音菩萨的慈悲柔美之内涵。身两侧的帔帛自肩部蛇形飘下,落于台座之上,极富动感。 | ||
| + | 造像青铜铸造,通体鎏金,金质苏黄,鎏金保存完好,局部有脱落。铜在唐代十分贵重,故当时所造佛像尺寸高度多在 5 ~ 10 公分,此像高度超过 27公分,铸造工艺精湛,整像造型生动,堪称唐代金铜造像中的精品,弥足珍贵。 | ||
| + | |||
| + | This bodhisattva can be identified as Avalokiteshvara by the small sculpture of a Buddha on his headdress and by the vessel he holds in his right hand. The shape of this vessel, particularly its bird’s-head top, typifies metalwork and ceramics produced in China in the late seventh and early eighth centuries. | ||
| + | |||
| + | 来源:\\ | ||
| + | Abby Aldrich Rockefeller , New York (until 1942; donated to MMA) | ||
| + | |||
| + | 展览:\\ | ||
| + | Tokyo National Museum. " | ||
| + | New York. The Metropolitan Museum of Art. "Arts of Ancient China," | ||
| + | |||
| + | 文献:\\ | ||
| + | Chinese Bronzes of the Shang (1766–1122 B.C.) through the Tang (A.D. 618–906) Dynasty. Exh. cat. New York: The Metropolitan Museum of Art, 1938, p. 24, cat. no. 293.\\ | ||
| + | Priest, Alan. Chinese Sculpture in The Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 1944, p. 35, cat. no. 31, pl. LXIII.\\ | ||
| + | Pal, Pratapaditya. The Ideal Image: The Gupta Sculptural Tradition and Its Influence. Exh. cat. [New York]: Asia Society, 1978, p. 138, cat. no. 94. | ||
| + | |||
| + | 馆藏号: 42.25.27a, b | ||