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| + | =====10世纪尼泊尔铜鎏金弥勒佛垂足说法坐像(伦敦大英博物馆)===== | ||
| + | {{tag> 主题: | ||
| + | ~~PAGEIMAGE:<: | ||
| + | **尺寸:高26.6 cm\\ | ||
| + | 年代:10世纪\\ | ||
| + | 质地:铜鎏金\\ | ||
| + | 风格:尼泊尔\\ | ||
| + | 来源:伦敦大英博物馆\\ | ||
| + | 参阅:[[https:// | ||
| + | 鉴赏:**\\ | ||
| + | {{ : | ||
| + | {{ : | ||
| + | Blurton, 1997:\\ | ||
| + | 此像中的佛陀身穿僧袍(如本例所示),这一特征常常清晰地勾勒出身形。这种风格特征在印度至少可以追溯到笈多时期。加德满都谷地不仅以高品质的金属工艺闻名,还因其在低地平原的印度风格早已过时之后仍将其长期延续而著称。此像中笈多风格的传承——尽管已是数百年之后——依然显而易见。 | ||
| + | Zwalf 1985:\\ | ||
| + | 早期佛教认为,不同时代由不同佛陀相继教化,其中有一位未来佛名为弥勒。弥勒最初被表现为带有装饰、手持水瓶的形象,后来则与作说法印、以所谓“欧洲式”坐姿(如坐于椅上)的佛陀形象难以区分。当一尊呈佛陀形、作说法印的坐像在头冠或肩侧莲花上刻有小佛塔时,便可明确判定其为弥勒。此像展示了笈多风格如何在尼泊尔得以延续。 | ||
| + | |||
| + | 著录:\\ | ||
| + | Pal 1974 / The Arts of Nepal (pl. 185) \\ | ||
| + | Snellgrove 1978 / The Image of the Buddha (pl. 270) \\ | ||
| + | von Schroeder 1981 / Indo-Tibetan Bronzes (76A) \\ | ||
| + | Zwalf 1985 / Buddhism: Art and Faith (161) \\ | ||
| + | Koezuka (1994) / Masterpieces of Buddhist and Hindu Art from the British Museum (80) \\ | ||
| + | Blurton 1997 / The Enduring Image: Treasures from the British Museum (262) | ||
| + | |||
| + | 展览:\\ | ||
| + | Buddhism: Art and Faith (BM 1985)\\ | ||
| + | 1994, Kyoto National Museum, Masterpieces of Buddhist and Hindu Sculpture from the British Museum\\ | ||
| + | 1994, Tokyo, Tobu Museum of Art, Masterpieces of Buddhist and Hindu Sculpture from the British Museum\\ | ||
| + | 1997 13 Oct-1998 5 Jan, India, New Delhi, National Museum, The Enduring Image\\ | ||
| + | 1998 9 Feb-3 May, India, Mumbai, Sir Caswasjee Jahangir Hall, The Enduring Image | ||
| + | |||
| + | 来源:\\ | ||
| + | Purchased from: Spink & Son Ltd | ||
| + | |||
| + | 馆藏号: | ||
| + | 1967,0713.1 | ||